The Talon of the Hawk
Kensington / May 26, 2015 / $15.00 print, $13.50 digital
Three daughters were born to High King Uorsin, in place of the son he wanted. The youngest, lovely and sweet. The middle, pretty and subtle, with an air of magic. And the eldest, the Heir. A girl grudgingly honed to leadership, not beauty, to bear the sword and honor of the king.
Ursula’s loyalty is as ingrained as her straight warrior’s spine. She protects the peace of the Twelve Kingdoms with sweat and blood, her sisters from threats far and near. And she protects her father to prove her worth. But she never imagined her loyalty would become an open question on palace grounds. That her father would receive her with a foreign witch at one side and a hireling captain at the other―that soldiers would look on her as a woman, not as a warrior. She also never expected to decide the destiny of her sisters, of her people, of the Twelve Kingdoms and the Thirteenth. Not with her father still on the throne and war in the air. But the choice is before her. And the Heir must lead…
The third installment of Jeffe Kennedy's Twelve Kingdoms fantasy series tears sharply and deeply into the books' mythology as well as into the heart of its core family. The Talon of the Hawk, Ursula's story, doesn't hesitate to draw blood and, in the process, proves also to be incredibly healing.
All three sisters' stories have dealt with unlocking the true potential of who you are, and Ursula's journey is perhaps the most heightened and the most emotionally intense, because so much of her identity is tied up in being the dutiful heir to a tyrant king. She doesn't take chances like Andi does and she's not beautiful like Amelia, so who is she? Just a cipher, an extension of Uorsin, or a fully realized woman and person with her own worth? Yes, it is a man―Dasnarian mercenary captain Harlan―who sees that woman and that person and makes her aware of herself as an individual, but it's not as simple as lust or love fixing her issues. Harlan may be the catalyst for her self-awareness, but it's Ursula who has to painstakingly evolve ― and Kennedy makes sure the reader feels every beat and step of that process. Even before Harlan starts to seep into Ursula's consciousness, she chooses to don the Heir's Circlet and her mother's jewels as a message to her father. The seeds of growth are there. It's just that they need to be tended and encouraged.
[Ursula will have to fight her issues to have a shot at happiness...]