Did you ever see Quentin Tarantino’s action movie, From Dusk to Dawn? It was Tarantino’s next movie after Pulp Fiction, and still being fairly new to Tarantino, we rented it with no knowledge of the story. Halfway through, while minding my own business, vampires shot out of their rendezvous strip joint.
That’s right, I said vampires. What does that have to do with Pulp Fiction? Absolutely nothing. Which is what makes it so awesome! I love an unexpected twist. That’s why I’ve been a fan of Catherine Coulter’s for such a long time—the suspenseful twists and turns in her stories that call to me like a Siren.
The Edge (2000) has quite the surprise twist. You might recognize Ford MacDougal from The Maze; he was (Lacey) Sherlock’s FBI partner until she met and fell in love with her alliterative husband (Dillon) Savich. When Ford’s sister, Jilly, is gravely injured after driving her Porsche off an Oregon cliff, he experiences the whole episode with her from his hospital recovery bed—in Maryland at Bethesda Naval Hospital. And since Coulter writes the story in first person through Ford’s eyes, we get to experience all the anguish and confusion and fear bombarding him throughout the whole ordeal. When he’s well enough to travel, he heads for the West Coast. But hours after Jilly comes out of her coma, she’s kidnapped. And now Ford’s on the chase.